The eminent historian of Central and South India, William Dalrymple, had a remarkable article in The New York Review of Books (June 25, 2015): “The Renaissance of the Sultans”. Being a fan myself, this editorial column is very much based on that eye-opener. The focus is on one Sultan, Ibrahim Adil Shah II, of the central Indian kingdom of Bijapur, between Mumbai and Goa; we are talking about early 17th century. The Sultan is described as “an erudite scholar, a lute player, poet, singer, calligrapher, chess master and aesthete”. How different from Western rulers with military-political skills; how similar to many Chinese rulers, emperors, mandarins with poetry, calligraphy and more as indelible part of their legitimacy. However, the point of the story, as told by Dalrymple on the basis of the impressive works he reviews, goes far beyond describing what must have been a remarkable ruler. That ruler himself also...
